“I work with painting as a space where memory doesn’t stay still. It shifts, breaks, and rebuilds itself on the surface. I am not trying to explain memory, but to stay close to its instability.

My images often begin with something recognizable, but they don’t remain there, as figures appear and disappear through layers of paint, abrasion, and revision. What stays is not the image itself, but the feeling of something that was almost there.

Color interrupts the silence of the surface. It can behave like a rupture, a trace, or an emotional residue that refuses to disappear. Around it, other tones accumulate more quietly, holding tension between presence and erasure.

I am interested in what remains unresolved. The painting is not a conclusion, but a trace of something in progress, something that resists fixation. What I leave on the canvas is closer to a glimpse than a statement. Something lingering, unstable, and alive.”